martedì 20 dicembre 2011

UBUD HANGING GARDENS


Ubud Hanging Gardens is situated in Ubud, surrounded by ancient trees and gravity-defying terraced gardens.
Perched adjacent to steep rice terraces with sweeping views across the Ayung river gorge to the ancient Pura Penataran Dalem Segara temple on the opposite hillside, Ubud Hanging Gardens has 38 villas, which are all constructed in contemporary Balinese style on gravity defying wooden pillars with thatched alang-alang roofs.






The resort’s garden was conceived by the landscape architect William Warren (author of “Balinese Garden”, Thames & Hudson), together with John Pettigrew, (another devotee of botanical gardens who created the garden at Begawan Giri). It is planted with exotic trees and tropical shrubs such as cocoa, coffee, fruit trees, durian, rambutan, lychees, a variety of tropical bamboos, flame trees, bird of paradise flowers and orchids.

The hotel has four categories of villa-style accommodation: 15 deluxe Pool villas, of approximately 100m², 15 panoramic view deluxe Pool villas, of approximately 100m², two panoramic view suite pool villas of 160m² and six 2-bedroom Family Pool villas of 160m². A private funicular permits easy access to the Villas, the restaurants, bars, boutique and library.






The villas were designed by Anglo/ French architect Gordon Shaw and all have king sized four poster beds, handmade batik cotton fabrics, an interior bathroom with hand moulded bath, terraces with open air showers and dramatic Java stone plunge pools with adjoining Bales (a traditional Balinese relaxation area). Shaw used precious woods throughout the property, including Merbau flooring for the interiors, Benkirai for the exteriors and wooden furniture with sculpted doors in the Balinese tradition.

source: www.adelto.co.uk

sabato 17 dicembre 2011

KOUTALAKI SKI VILLAGE BY BIG GROUP



Our design for the Loutalaki Ski Village seeks to create a new hybrid integrating distinct, identities such as village and resort, shelter and openness, cozy intimacy and natural majesty, unique character and careful continuity or simply - architecture and landscape.



 

The Ski Village is conceived as a gentle extension of the summit extending the existing cluster of buildings to create a new village square at the heart of the resort. The four buildings wrap around the central square to form a public pocket sheltered from the wind yet open and inviting to the sorrounding landascape. The majestic views from the the summit are contrasted by the intimate atmosphere of the spaces between the buildings. The gentle curves of the undulating roofs create a careful continuity of the natural landscape while lending the whole village the unique character of an architecture of ski slopes an inhabited mountain top.




In the municipality of Kittila, Laplan, the new resort will be located on the mountain ridge of the Levi ski center, overlooking  surrounding landscape and Sirkka village at the foot of the mountain. When first visiting the future Koutalaki village site you realize the proximity to the ski slopers but at the same time the importance of creating a connection for skiers as well. The gentle slope away from the main ski system seems to offer the solution for a unified proposal the creates maximum connectivity for skiers and pedestrians.


Client: KASSIOPEIR FINLAND
Size: 56.000 M2
Location: LEVI, FINLAND
Partner in Charge: BJARKE INGELS, JAKOB LANGE
Project Leader: HANNA JOHANSSON
Team: MAREN ALLEN, JEFF MIKOLAJEWSKY, ERIK DE HAAN, DAVID TAO, LUCIAN RACOVITAN, JESPER VICTOR HENRIKSSON, JEPPE ECKLON, FEDERIK LYNG, JOAO ALBUQUERQUE

martedì 13 dicembre 2011

THE “CLOUD” BY MVRDV



The design for proposed twin towers in Seoul has been slammed for mimicking the explosions caused by planes hitting New York's World Trade Center in 2001, however the project's South Korean developer says it will not alter the design.
The skyscrapers, designed by Dutch architecture firm MVRDV and "connected midway up by a cloud-shaped bridging section," will be built at the entrance to Seoul's redeveloped Yongsan business district by 2016, according to Agence France-Presse .
MVRDV has described the buildings' connected midsection as a "pixelated cloud" containing public gardens, sky lounges, a swimming pool and restaurants.
MVRDV, in a statement on its website, has apologized for any resemblance to the Twin Towers, saying that it did not see the similarities during their design process.
"It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper," the statement read. "We sincerely apologize to anyone whose feelings we have hurt, it was not our intention."
Meanwhile, White Paik, spokesman for the Yongsan Development Corporation, reportedly said: "Allegations that it [the design] was inspired by the 9/11 attacks are groundless. There will be no revision or change in our project," he said, adding that construction would begin in January 2013 as scheduled."
In an ironic twist, the towers will be at the entrance of the Yongsan Dreamhub project, which was designed by Daniel Libeskind, who created the master plan of the rebuilt World Trade Center.


Premetto che non sono un moralista ne tantomeno un complottista, ma neppure un povero illuso che non riesce a cogliere l’evidente analogia tra il progetto “The Coud” di MVRDV e le immagini dell’attacco alle Torri Gemelle. Non solo l’immagine, ma anche l’impianto planimetrico sono identici e “stranamente” il progetto viene presentato dopo appena due mesi dalle celebrazioni del decimo anniversario, inserito nel masterplan redatto da Daniel Libeskind che è l’autore anche di quello per Ground Zero.
Troppe le analogie per giustificarsi con una banale comunicazione “It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this” riporatta nella loro pagina di facebook ed ovviamente oggetto di aspre critiche. Tutto questo non può essere soltanto una strana combinazione progettuale che ha determinato una singolare somiglianza con quello che è stata definita da alcuni critici “una sede di Al Quaeda” come riporta il New York Post.
Non è una provocazione e ne un tributo ma un eccessivo desiderio di attirare attenzione e porsi al centro non solo del dibattito architettonico ma dell’intero sistema dei media, come riconosce onestamente anche il responsabile delle pubbliche relazione dello studio MVRDV “I have to admit that we also thought of the 9/11 attacks” e quindi “ovvero “devo ammettere che abbiamo pensato anche agli attacchi del 9/11”.
Anche il nostro post, seppur irrilevante nel panorama del dibattito architettonico nazionale ed internazionale, giustifica questa scelta di marketing. 
In fin dei conti se ne parla e si da risalto ad un progetto che sarebbe passato inosservato ed a cui nessuno avrebbe prestato attenzione.
C’è qualcosa di più che va sottolineato in questo caso ed è l’uso cinico e fuori luogo di far parlare di se in tutti mezzi di comunicazione per raggiungere la massima veicolazione dei propri progetti.
Penso che in questo caso si sia scritta una brutta pagina della storia dell’architettura contemporanea troppo spesso mezzo di espressione di grandi interessi economici che scelgono le metropoli asiatiche per sperimentare la loro idea di mercato globale.

venerdì 9 dicembre 2011

RESEARCH CENTRE, PARIS PARC BY BIG GROUP



BIG GROUP WIN THE COMPETITION TO DESIGN THE RESEARCH CENTRE OF THE UNIVERSITY OF JUSSIEU IN PARIS


The new multidisciplinary research centre, Paris PARC, will become a significant addition to the campus, strengthening the international appeal and openness of the leading French University for Science and Medicine.

Paris PARC is located in the visual axis of the Notre Dame Cathedral in a dense context of university buildings from different historical periods. BIG proposes a building geometry that adapts to the specific conditions of all adjoining sides, optimized for daylight, views and accessibility. The three-dimensional envelope retracts from the neighboring facades, opens up towards the square Jean Nouvel’s of Institut du Monde Arabe and the park, and folds into a publicly accessible rooftop landscape, resulting in an adapted sculptural building  volume situated between the emblematic architectural monuments of the university.


“As a form of urban experiment the Paris PARC is the imprint of the pressures of its urban context. Wedged into a super dense context – in terms of space, public flows and architectural history – the PARC is conceived as a chain of reactions to the various external and internal forces acting upon it. Inflated to allow daylight and air to enter into the heart of the facility, compressed to ensure daylight and views for the neighboring classrooms and dormitories, lifted and decompressed to allow the public to enter from both plaza and park and finally tilted to reflect the spectacular view of the Paris skyline and the Notre Dame to the Parisians.” Bjarke Ingels, Founder, BIG.

A central canyon provides daylight and a visual connection between laboratories and offices. In the atrium a cascade of informal meeting spaces lead to the public rooftop terrace and faculty club. A public stair to the rooftop offers glimpses into the activities of the laboratories which are divided by transparent walls throughout the building to ensure visual connections between the working spaces. The upper levels have panoramic views towards the Notre Dame and the skyline of Paris.
“We propose a building that creates the optimum conditions for encounters and exchange among the academics and visitors of Paris PARC. Like a scientific incubator the new building will provide the physical environment for nurturing growth of cultures and sharing of ideas - through the internal mix of laboratories, research facilities and informal meeting spaces, and through a reunification with the public life of the city.” Andreas Klok Pedersen, Partner-in-Charge, BIG.

source:  www.e-architect.co.ukhttp://www.e-architect.co.uk/

mercoledì 7 dicembre 2011

SKYLINE RANKING



This listing ranks cities by the visual impact of their skylines. It is drawn entirely from statistics in this website's database, and reflects only completed high-rise buildings as defined by the Emporis Standards Committee (ESC). This calculation does not include TV towers, masts, bridges, or other structures. About the formula: Each building is assigned points based on its floor count. The point total for each city is calculated automatically and displayed.




n°
City
Population
Area size
Number of buildings
Number
 of points
1
6,943,600
1,053 km²
7,688
128,635
2
8,391,881
800 km²
5,937
40,119
3
2,853,114
589 km²
1,126
19,514
4
4,351,400
710 km²
4,375
19,157
5
10,331,244
616 km²
2,885
17,250
6
10,990,249
1,523 km²
5,667
17,230
7
1,954,000
3,885 km²
592
15,944
8
9,145,711
6,639 km²
994
15,222
9
7,587,882
1,569 km²
788
13,558
10
8,653,000
621 km²
2,704
13,431
11
6,560,500
7,434 km²
505
11,664
12
10,443,000
1,081 km²
3,362
11,233
13
2,503,281
630 km²
1,878
9,603
14
6,300,000
82,403 km²
539
8,049
15
1,245,000
2,020 km²
360
7,580
16
1,800,674
244 km²
552
6,768
17
7,746,519
16,808 km²
901
6,662
18
6,093,472
1,182 km²
2,564
5,784
19
11,914,398
621 km²
1,224
5,644
20
453,733
21 km²
564
5,211
21
2,598,589
220 km²
1,465
5,208
22
9,341,400
661 km²
392
5,056
23
2,965,403
200 km²
1,709
4,983
24
1,533,580
217 km²
1,104
4,881
25
413,201
92 km²
296
4,788
26
4,201,500
12,144 km²
848
4,579
27
708,738
2,561 km²
191
4,318
28
3,559,700
7,694 km²
556
4,260
29
4,550,000
8,494 km²
479
4,117
30
10,121,565
1,991 km²
2,148
3,997
31
2,242,193
1,398 km²
360
3,768
32
613,094
115 km²
632
3,737
33
374,676
266 km²
439
3,656
34
418,438
1,402 km²
283
3,301
35
7,556,900
1,579 km²
1,489
3,180
36
8,720,916
1,487 km²
1,365
3,165
37
1,797,408
435 km²
832
3,060
38
3,833,995
1,216 km²
505
2,959
39
5,803,622
11,920 km²
290
2,844
40
537,958
341 km²
231
2,834
41
2,762,259
1,930 km²
1,109
2,715
42
484,176
27 km²
138
2,671
43
558,383
340 km²
136
2,608
44
3,454,000
6,516 km²
80
2,564
45
815,358
121 km²
417
2,498
46
4,571,200
1,431 km²
1,795
2,482
47
1,279,910
887 km²
246
2,450
48
3,655,349
528 km²
87
2,434
49
2,203,817
105 km²
684
2,400
50
4,946,345
2,325 km²
1,094
2,314
51
1,547,297
350 km²
330
2,303
52
1,370,000
1,565 km²
257
2,260
53
2,819,566
800 km²
1,531
2,251
54
2,980,513
13,238 km²
138
2,153
55
1,042,892
726 km²
262
2,045
56
608,660
229 km²
222
1,972
57
2,431,415
313 km²
583
1,907
58
1,620,693
365 km²
475
1,808
59
620,535
125 km²
239
1,786
60
67,627
38 km²
390
1,760
61
3,128,600
606 km²
1,128
1,726
62
1,733,200
1,327 km²
252
1,723
63
2,892,625
707 km²
548
1,644
64
438,230
0 km²
149
1,620
65
2,640,000
10,654 km²
112
1,592
66
3,426,506
437 km²
212
1,500
67
3,347,433
12,300 km²
140
1,500
68
2,719,293
272 km²
168
1,459
69
845,000
2,600 km²
97
1,417
70
1,030,000
1,046 km²
158
1,408
71
4,649,490
12,942 km²
171
1,394
72
1,720,400
154 km²
89
1,371
73
670,095
248 km²
287
1,355
74
371,400
52 km²
272
1,338
75
600,158
400 km²
204
1,305
76
1,039,297
796 km²
931
1,291
77
382,605
142 km²
193
1,274
78
2,412,937
331 km²
515
1,250
79
2,305,741
1,684 km²
164
1,228
80
7,947,121
215 km²
141
1,219
81
605,000
67 km²
142
1,202
82
15,315
3 km²
57
1,144
83
1,315,000
495 km²
834
1,127
84
6,776,009
384 km²
346
1,121
85
668,549
289 km²
233
1,111
86
94,344
46 km²
252
1,092
87
584,493
208 km²
304
1,083
88
2,590,863
964 km²
21
1,076
89
3,849,000
9,983 km²
147
1,041
90
310,037
144 km²
131
1,009
91
286,870
0 km²
17
1,006
92
912,062
359 km²
170
1,003
93
3,888,180
1,644 km²
300
950
94
1,420,667
497 km²
674
942
95
3,433,629
7,086 km²
127
939
96
241,114
39 km²
97
934
97
1,157,372
179 km²
627
913
98
1,781,000
305 km²
813
909
99
497,833
1,651 km²
429
893
100
4,580,544
187 km²
407
893





Points per Building
12 - 19 Floors = 1 Point
20 - 29 Floors = 5 Points
30 - 39 Floors = 25 Points
40 - 49 Floors = 50 Point
50 - 59 Floors = 100 Points
60 - 69 Floors = 200 Points
70 - 79 Floors = 300 Points
80 - 89 Floors = 400 Points
90 - 99 Floors = 500 Points
100 or more Floors = 600 Points


source: emporis.com