IBC INNOVATION FACTORY BY SCHMIDT HAMMER LASSEN

The IBC Innovation Factory is designed to support new ways of learning. The 12,800 square metres educational building is the result of a refurbishment project of the paint manufacturer GORI’s factory from 1978, which set new standards for factories at the time.

In the spirit of the original factory, schmidt hammer lassen architects, in collaboration with International Business College (IBC) Kolding, has created the settings for a ground-breaking and creative learning environment, aiming to become the world’s best.

The ambition is to be a training camp for future innovators. With the acquisition of the GORI factory in the summer of 2010, the IBC gained access to a unique physical environment characterized by an impressive pioneering spirit and vision.

It was the first factory plant in Denmark to unite production and management in one large room, allowing visual connection between the two. The large paint tanks were decorated by the French artist Jean Dewasne, in the conviction that art in the workplace would inspire employees and provide a better working environment.

The same idea inspired the incorporation of badminton courts and Ping-Pong tables on the production floor for the employees. The main task for schmidt hammer lassen architects has been to preserve and emphasize the building’s existing qualities and transform the facilities into an innovative learning environment.

By using six elements – fire, water, greenery, light, sound and air – the concept for the new Innovation Factory was developed with an emphasis on stimulating the users’ senses.

A central teaching facility in the shape of an indoor ‘landscape furniture’ designed in Douglas pine wood incorporates a variety of learning spaces and experiences. 

The wooden structure, which seems to float above a surface of water, has an auditorium, places for open study, an amphitheatre, and closed podiums for group work or quiet study time. There are green plants, the sound of trickling water, birds in aviaries and plenty of daylight from the skylights above.

Location: Kolding, Denmark 
Architects: Schmidt Hammer Lassen Architects 
Engineer: Rambøll A/S 
Consultants: Alectia 
Main Contractor: MT Højgaard a/s, Odense 
Area: 12,800 m2 
Year: 2012 
Client: IBC International Business College, Kolding 
Photographs: Adam Mørk

OIL FACTORY BY RICARDO BAK GORDON

The olive oil factory Marmelo Mill, was designed in order to answer all the functional requests to become the largest olive oil mill in Portugal, but also to reveal the attitude of the company regarding its cultural strategy respect to their clients and landscape.

For this project the portuguese architect Ricardo Bak Gordon, has won the 2011 FAD Award with his project “2 Casas em Santa Isabel”, worked together with people who love experimenting in many areas and who, just like him, seek cultural approaches towards landscapes and towards the hidden charms of commercial buildings. The logical consequence is the conjugation of efficiency and timelessness along with the relation to the surrounding scenery, the result is a building peacefully lying as an abstract, white volume at the heart of a plantation, embedded among 3 million olive trees.

The architect had to face two important questions: What is it that can make an oil factory interesting and how can the factory be connected with the local conditions? The consistent attitude towards landscapes is an important relation point for any architect in Portugal. Apart from a good technical execution, the operating company also made a careful handling of the surrounding landscape a requirement. This had become a guiding line for Ricardo Bak Gordon and a crucial criterion for his work.

The beauty of the design of the Herdade do Marmelo oil factory is unveiled through the feeling of floating. The factory has been designed in a way that the olive plantation reaches the building directly. The building has two horizontal levels. The lower level establishes the connection with the soil, and the dark color of the walls goes along. The second level, however, is bright and white. It floats, carried by stilts, above the lower level and spans in two directions with its projecting arms. The workers are protects from the weather by these arms. The whole work area is generously lit.

The building is a striking eye-catcher which is not only visible during the day. During the olive harvesting period, the building can already be seen from a distance 24/7, since the projecting arms are illuminated at night.

Whether it’s the consequent approach is the result of his thoughts or the response to the principal’s requirements, Ricardo Bak Gordon can handle the construction of an oil factory with the same sensitiveness as building a residential complex or a museum.

The beauty of the design of the Herdade do Marmelo oil factory is unveiled through the feeling of floating. The factory has been designed in a way that the olive plantation reaches the building directly. The building has two horizontal levels. The lower level establishes the connection with the soil, and the dark color of the walls goes along. The second level, however, is bright and white. It floats, carried by stilts, above the lower level and spans in two directions with its projecting arms. The workers are protects from the weather by these arms. The whole work area is generously lit.

The building is a striking eye-catcher which is not only visible during the day. During the olive harvesting period, the building can already be seen from a distance 24/7, since the projecting arms are illuminated at night.

Architects: Ricardo Bak Gordon
Location: Ferreira do Alentejo, Portugal

Client: Elaia Lagar
Project Year: 2010
Project Area: 47,723 sqm
Photographs: FG + SG – Fernando Guerra, Sergio Guerra