Visualizzazione post con etichetta Japan. Mostra tutti i post
Visualizzazione post con etichetta Japan. Mostra tutti i post

giovedì 20 dicembre 2012

OFFICE IN FOREST BY SUGAWARADAISUKE



SUGAWARADAISUKE


This the head office project at Matsuzaka, Mie prefecture in Japan, parts of the City are within the limits of the Yoshino-Kumano National Park.


SUGAWARADAISUKE


The project‘s target is not on the value of the object view in respect to sculptural appearance of the building , but rather on the value of the environmental view with body experience.


SUGAWARADAISUKE

Various places are created in the whole of the site with hut volumes and 4 season gardens.


SUGAWARADAISUKE


The large reflect ceiling and different types of windows invite plantation colors to inside.


SUGAWARADAISUKE


Body experience here changes dramatically according to seasons, weathers and human activities.


SUGAWARADAISUKE


This project proposes a new approach to office design, which enables us to choose working places not only by function or work typology, but also by the experiential qualities of a space and its effect on the human body through reflected nature. 


SUGAWARADAISUKE

This experience is realized by total design approach from landscape, architecture to furniture as spatial elements equivalently.


SUGAWARADAISUKE
SUGAWARADAISUKE

SUGAWARADAISUKE
SUGAWARADAISUKE

Location: Matsuzaka, Japan

Architects: SUGAWARADAISUKE

Landscalpe: Masae Kawai

Construction: KITAMURAGUMI Corporation

Floor Area: 348.01 sqm

Site Area: 1,193.30 sqm

Area: 356,44 sqm

Year: 2012

mercoledì 19 dicembre 2012

VILLA SSK BY TAKESHI HIROBE ARCHITECTS



Takeshi Hirobe Architects


“The location for this project was adjacent to the calm and tranquil waters of Tokyo Bay. When we first visited the site, we were immediately overwhelmed by the presence of the ocean.


Takeshi Hirobe Architects


Soon, however, we became attuned to the subtle cues coming from the surroundings, such as the movements of the sun, the flow of the wind, the scent of the tide, the stirrings of the plants, and the presence of the rocky mountain.


Takeshi Hirobe Architects


We were particularly impressed by the sea and the soaring verticality of the sky overhead, as well as the rocky mountain on the opposite side and the vegetation growing on them. For this reason, we decided to design a building that would serve to connect these mountains to the imposing expanse of the ocean.


Takeshi Hirobe Architects


The client requested a comfortable, generously proportioned living, dining and kitchen area, a bathroom overlooking the ocean, a guest room, and a spare room that could be used to display his beloved car.


Takeshi Hirobe Architects


The portion of the house encircled by the central area, guest room and spare room was turned into a tiled central courtyard where dogs can play. The courtyard also serves as an outdoor living room where large numbers of guests can gather and mingle.


Takeshi Hirobe Architects


Water can also flow into the courtyard to create a basin that reflects the subtle nuances of the surrounding light and wind. Timber panel wall-building and timber space trusses were used to create a structure that connects the ocean-facing side and mountain-facing sides of the house.


Takeshi Hirobe Architects


Although the trusses themselves occupy a wide space, gaps have been left in between the different materials. By angling the walls obliquely in accordance with the necessary spacing and throat gaps required for the truss structure, we were able to eliminate a certain oppressiveness from the interior.


Takeshi Hirobe Architects


Architecture ought to be rooted in the place it occupies. The architectural form of this building somehow emerged during the long process of analyzing and studying the location.


Takeshi Hirobe Architects


Although the design process was supposed to have entailed a frantic accumulation of decision-making and choosing between possible options, the finished building gives one the strange, lingering impression of having been constructed according to some law or other.


Takeshi Hirobe Architects


By combining rigid timber panel wall-building (a type of laminated veneer lumber) and truss arches, we were able to create a tunnel-shaped space with almost no right-angled walls despite the wide span of the building.” Description of Architect.


Takeshi Hirobe Architects
Takeshi Hirobe Architects 










Takeshi Hirobe Architects
Takeshi Hirobe Architects 








Location: Chiba, Japan


Structural Engineer: Akira Ouchi /S FORM

Area: 105.05 sqm

Year: 2012

Photographs: Koichi Torimura

venerdì 30 novembre 2012

HIROSHI SENJU MUSEUM BY RYUE NISHIZAWA



Ryue Nishizawa


Japanese architect Ryue Nishizawa has completed the ‘Hiroshi Senju Museum Karuizawa’, a single-storey cultural facility on a lush site in Karuizawa, Japan.


Ryue Nishizawa


A collaborative effort with internationally recognised japanese artist Hiroshi Senju, the museum seeks to harmoniously link the exhibited art with the surrounding landscape within a naturally illuminated space.


Ryue Nishizawa


Karuizawa is known for its harmony of nature and culture. Nishizawa choreographed a space where visitors could enjoy the feeling of becoming at one with the works of Hiroshi Senju and a forest in Karuizawa.


Ryue Nishizawa


"Senju asked me to create an open, luminous space where people would observe his works, relax and spend time in contemplation. The museum, which gently hugs the natural slope of the site, has lighting controlled by deep eaves, silver screens, and UV cut glass while allowing in the greenery.


Ryue Nishizawa


The open space was designed to unite Kazurizawaʼs nature and Senju’s art. I wanted to create a union of park and space that felt as inviting as a private living room." Ryue Nishizawa, architect.


Ryue Nishizawa


For the 3000 tsubo site (nearly 2.5 acres), the two creators Senju and Nishizawa collaborated on a dream project.


Ryue Nishizawa


Housing a wide collection of the artist’s work from 1978 to the present day, the museum utilises the natural elements of the site as a backdrop to the pieces displayed.


Ryue Nishizawa


The floor gently follows the pre-existing contours of the land, subtly swelling and dipping throughout the gallery. A series of organically-shaped light wells puncture through the roof, injecting pockets of greenery within the interior.


Ryue Nishizawa


Deeps eaves, silver screens, and UV-cut glass panels control the amount of daylight intake while allowing in the qualities of the forest.


Ryue Nishizawa


Sitting between the parking lot and the museum is the ‘color leaf garden’ which acts as a natural buffer zone for visitors.


Ryue Nishizawa


Involving the planting of 150 plant varieties and numbering more than 60,000 roots, the color leaf project’s pink, yellow, purple, silver and red shrubs and grasses fan out around the site as if in benediction of the museum.


Ryue Nishizawa


In Karuizawa, with its pure air, gentle breezes and soft light, visitors can now experience a place of extraordinary imagination and beauty. 


Ryue Nishizawa
Ryue Nishizawa 










Location: Nagano, Japan 
Architect: RyueNishizawa 
Total Floor Area: 1818.42 sqm 
Exhibition Space: 1490.51 sqm 
Museum Office: 128.16 sqm 
Gallery: 199.75 sqm 
Year: 2011

KARUIZAWA MUSEUM BY YASUI HIDEO ATELIER



Yasui Hideo Atelier

Located close to the area of Yatsugatake Mountain, in Nagano, Japan, this cultural museum complex was completed in 2011 by Yasui Hideo Atelier.

Yasui Hideo Atelier

“The inspiration came from ORIGAMI, the well-known Japanese paper craft technique, which I united with the nature found in the site of Yatsugatake mountain area in Nagano - Yasui Hideo says -

Yasui Hideo Atelier

Since the facility is located next to the world famous Japanese artist/painter’s museum, I wanted to harmonize Japanese traditional element and Japanese modern aspect and create an unique architecture.

Yasui Hideo Atelier

I totally wanted to differenciate my work from the museum designed with lots of curves; I used straight lines to make a significant contrast, while showing its originality, but still,

Yasui Hideo Atelier

I think my work has a well-balance with the museum. I would say developing ORIGAMI object to a real architectue has been a big challenge; at first, I created objects from paper with ORIGAMI technique, then I developed the structure to a real architectual one by playing with different triangler parts.”

Yasui Hideo Atelier

The architect shares that he had to draw and create different origami objects in order to acquire the origami technique and he interpreted it in his own way and implanted it into the design.

Yasui Hideo Atelier

Developing an origami object into a minimalist architecture has turned out to be a very creative, even ingenious idea. The futuristic aspect of this architecture is the usage of straight lines.

Yasui Hideo Atelier

The materials are carefully chosen to compliment the design of the building. The deconstructed, multifaceted, 423.51-square-meters two-storey building is supported by a steel structure while its characteristic sharp edges and sky-piercing spikes have been developed in titanium and glass.

Yasui Hideo Atelier
Yasui Hideo Atelier 










Location: Nagano-Ken, Japan
Architect: Yasui Hideo Atelier
Site Area: 8,330.42 M2
Building Area: 331.60 M2
Total Floor Area: 423.51 M2
Structure: Steel Structure
Client: International Cultural College Foundation
Construction: Sasazawa Construction